Stereo pairs are available for both the XLII and XLS. To our surprise, the C414 actually comes in a quality case. Although it’s a matter of taste, this seems to result in the XLII being a flashier and more attractive microphone visually. On the left, the C414 has a, On the rear panel’s right side, the C414 has a, The ability to switch between polar patterns on the C414 is what makes it so incredibly useful, but it is the sound quality and character of this microphone which ultimately seals the deal. They released several new iterations of the C414 including the EB-P48 (1980), B-ULS (1986) and B-TLlI (1993). ), #53 – The Styrofoam Turtles, Burning Alms, #52 – Fire in Cairo, Masila Muli, Folded Coast. You’re likely to see one in every major studio. You can disable lock mode by holding down one of the arrows for another 2 seconds. The Focusrite Scarlett 2i2 leads the market for audio interfaces and is one of the best-selling pieces of studio gear. Although, this may help to smoothen out the vocal, some would prefer a less colored signal, a more neutral sound that can be shaped as needed during mixing. The Neumann TLM 103 is a great example of a condenser microphone in the same price range that you could say outshines the C414 in terms of sound quality. A red LED will briefly light up when you try to switch patterns, indicating that you are in lock mode and unable to switch patterns. In order to add spare parts we have to empty your current cart. In this case, you could enter lock mode while on the cardioid pattern, and won’t have to bother with the pattern selector or worry about it in the future. In all, we definitely recommend this microphone if you’re looking for a high-quality all-around condenser for your treated studio, and the XLII, particularly for vocals. By holding down one of the arrows on the selector for around 2 seconds, you’ll enable lock mode. In this article we review the 2i2. Within months they could be seen in major radio stations, theaters, and jazz-clubs across the world. This makes it incredibly easy to rotate the position of your microphone. A taste was developed for the darker and more neutral sound, arguably making the later C414s more versatile than the EB. This split helped ease confusion in their marketing. And its evolution is legendary in the audio world. © 2020 Harman International Industries, Incorporated. We noticed that you already have spare parts in your cart. On the rear of the C414, you’ll find two switches with LED lights underneath. If you have the right environment, it’s going to sound great. You simply put your mic in, twist the bottom and your microphone is locked in and secure. Although with newer models, AKG has since implemented an elastic mounting around its capsule to minimize vibration and potentially damaging force the capsule may experience, the capsule is still too precious to be careless. We review the Teenage Engineering Pocket Operator PO-33 KO!, a unique micro sampler that punches above its weight. The real distinction is the slight difference in sound character between these two microphones. I have enjoyed reading this article / critique. Developing new products, AKG released their famous tube condenser microphone, the AKG C12, in 1953. If money is not an issue, and you truly want an all-around microphone, go with the XLS. AKG’s C414 is far more versatile than Neumann’s TLM 103. The grille is prone to dents and bends if you are not careful with your handling of the C414. The LED will switch from green to red even when the faintest distortion from clipping occurs, allowing you to adjust your levels as needed. We researched dozens of studio monitors and weighed all the pros and cons. Feel free to let us know in a comment below or reach us on our. We hope you’ve enjoyed reading our AKG C414 XLII review, happy producing. I have a bassy voice and could probably use some help on the high end. AKG is one of the most respected brands in audio today. In other words, the great accurate and detailed sound that the C414 captures, can also be a disadvantage, exposing the flaws of your room and exacerbating the ugly effects of poor recording techniques. With each new model, significant tweaks were made that were both celebrated and criticized (but mostly criticized). You can toggle between 0, 40, 80 and 160hz, allowing you to roll-off unnecessary low end in your recording signal. If you’re an amateur producer who is looking to upgrade from a budget microphone to a professional-standard high-quality condenser microphone, the C414 is a great choice. Manufactured by hand, with only five workers at the time, the popularity of these microphones quickly spread across the region. Five years later and shortly after AKG celebrated their 60th anniversary, AKG dropped the B from the XLII and XLS, releasing their latest models, the C414 XLII and C414 XLS. On the left, the C414 has a pre-attenuation pad allowing you to select between 4 pre-attenuation settings (0 dB, -6 dB, -12 dB, -18 dB). Required fields are marked *. This is also useful if you’re going to only have one use for the AKG C414, such as simple vocal recording. The C414 EB found great success and became a top microphone choice in the recording world. Combined with the clipping indicator on the front of the C414, you have the ability to quickly detect distortion in your signal and pad your signal, creating more headroom as needed. They became quieter, with less self-noise and higher output. Why Community Matters in Music Production, What is the Proximity Effect? Do You Need a Compressor for Your Home Studio? To wrap up this review, the AKG C414 XLII is a great all-around microphone. Although many believed the newer C414s had a darker sound, the shift to the nylon capsule also resulted in a more neutral sound which worked better for many other recording sources. Switching to the omnidirectional pickup pattern might even come in handy for this. The XLS has a more neutral sound. - AudioGearz, Review: Warm Audio WA-47 Condenser Microphone - AudioGearz. Vocals will still sound great on the XLS. We’ve chosen to review the more popular of the two models, and this is where our C414 XLII review begins. This makes the C414 a great option for highly detailed and textured instruments, such as drums, acoustic guitar, biting electric guitars, and of course, vocals. The, To wrap up this review, the AKG C414 XLII is a, What are your thoughts? I would like to ask you, which AKG microphone do you recommend for recording voice-overs, commercials, and radio announcing in general? The AKG C414 Condenser Microphone The AKG C414 condenser microphone is sold today in two versions, the AKG C414 XLII and the AKG C414 XLS. I would actually recommend not going with AKG if you need a microphone specifically for voice-overs. Save my name, email, and website in this browser for the next time I comment. This is another perk that widens the usefulness of the C414, allowing you to make adjustments as needed depending on the loudness of your recording source. The C414 EB became highly renowned for its brilliant high-end. The C414 XLII multi-pattern condenser microphone offers a choice of nine polar patterns for the perfect sonic capture for every application. This is not a criticism of the C414, but certainly something to consider if you have yet to properly treat your room. Using the same brass capsule from the C12, it outshined competitors with its clarity and highly detailed treble response. If it did not have the ability to switch polar patterns, then you could argue that it was too expensive. The AKG C414 XLII and XLS keep the classic shape that its predecessors have become famous for. or Although pleasing to the eye, it is clear that it is quite fragile. Because you are limited to the standard cardioid polar pattern with the TLM 103, the C414 is a much better choice if you’re looking for a microphone that you can use in many various recording situations. Nonetheless, if your main priority is recording vocals and not instruments, the price is another reason to go with the XLII. That is because AKG’s main focus is on condenser microphones, and you’ll likely want a dynamic microphone for your needs. Two C414s to record overhead drums is a classic setup used by many drummers. Because your microphone is secure, you can feel confident putting your microphone in any position including upside down. Since you already have a bassy voice, I would recommend the Electro-Voice RE-20. The classic U47 sound from the WA-47 is not only fitting […]. Underneath that grille is the precious heart of the C414, the 2nd generation CK12 nylon capsule, responsible for the sound of the C414. However, the C414 seems especially affected by this due to its high sensitivity. It’s not clear why, since these microphones are so similar in design. Here's why it matters and how it ultimately affects your creativity. Because you want to prevent the boomy proximity effect of recording too close to the C414, you’ll need to back up from it. The only real difference is that the XLII has a slight boost on its top end. Should I Learn Music Theory as a Music Producer?